Year
Bing
Xu
The Challenger
The Challenger
Hidden Stems
Wu (The)Xin (Indirect)Ding (Companion)
- Star Luck
- 养
- Sitting Branch
- 墓
- Void
- Wu / Wei
- Na Yin (Elemental Sound)
- 屋上土
Destiny Mapping
Career
Treasury Star
Stars Analysis
Tian Fu (Heavenly Treasury) in Prosperous (Miao) alone in the Guan Lu Palace. Tian Fu represents a treasury, steadiness, and conservatism, governing career stability and pattern. Despite numerous transformations in his career, David Bowie always remained at the forefront of the industry, thanks to Tian Fu's conservative foundation—he never gave up copyrights and had solid works backing each phase. Tian Fu in Miao also signifies his emphasis on reputation and long-term planning; for example, in the 1990s, he refused excessive commercialization and focused on artistry.
Four Transformations
No Four Transformations, but Tian Fu in Miao has strong inherent energy. The lack of transformative movements (Hua Lu, Hua Quan, Hua Ji) indicates that his career relied more on personal accumulation than sudden luck. Every step of David Bowie's success was the result of long-term cultivation: he became famous in 1969 with Space Oddity, but had already been working in the music scene for years. Tian Fu in Miao also foreshadows that he would be revered as a legend in his later years, and the value of his works actually increased after his death.
Life Area Guidance
David Bowie's career began in 1964 with the formation of a band, and he experienced multiple lows—declining popularity in the mid-1970s and commercial downturns in the late 1980s—but each time he managed to return to the top through stylistic reinvention. Tian Fu's conservatism is reflected in his refusal to go with the flow: in the 1990s, while many veteran singers covered pop hits, he persisted with experimental routes. He was also a successful actor and painter, but music always remained his core. The absence of malefic stars (Sha Ji) in the Guan Lu Palace suggests his career path involved less interpersonal conflict and more self-challenge.
Key Aspects
Tian Fu in Miao signifies stability and long-term planningWithout Four Transformations, yet sustained by deep foundationMultiple identities but music at the core
Network
Strategist StarMoon Star
Stars Analysis
Tian Ji transformed into Authority (Hua Quan), flourishing Tai Yin in the same palace. Tian Ji represents wisdom and planning; Hua Quan enhances control and command. Tai Yin embodies femininity, artistry, and refinement. The Staff & Allies Palace (Nu Pu Gong) governs subordinates and collaborators. David Bowie's team—including managers, producers, and musicians—were crucial to his success. Tian Ji Hua Quan indicates his skill in managing relationships through strategic insight, while the flourishing Tai Yin grants him the warmth to win hearts—he often maintained long-term collaborations, such as with guitarist Earl Slick and producer Tony Visconti.
Four Transformations
Tian Ji Hua Quan enters the Staff & Allies Palace. This is one of the most pivotal Hua Quan aspects in his chart, showing that David Bowie achieved authority through his team. He was not a dictator; he gave collaborators creative freedom while retaining final direction (Tian Ji Quan). For instance, during the recording of Heroes, he allowed Eno to use randomized techniques, but he himself finalized the mixes. The flourishing Tai Yin also manifested in his nurturing of newcomers, such as his early support for Lou Reed and Iggy Pop.
Life Area Guidance
David Bowie's team network was itself a work of art. Early on, he worked with manager Ken Pitt, then switched to Tony Defries—a strategic adjustment reflecting Tian Ji Quan. His 1970s collaboration with Spiders from Mars was iconic, but after the 1990s he favored smaller core teams. Tian Ji Hua Quan also shows in his comprehensive control: founding his own publishing company and personally handling contracts. The flourishing Tai Yin resonates with his repeated rescues of peers in decline—for example, when Iggy Pop was struggling with drug addiction in the 1970s, Bowie took him to Berlin to detox and produced albums for him.
Key Aspects
Tian Ji Hua Quan governs team management and strategyFlourishing Tai Yin embodies artistry and humanistic careLong-term stable collaborators such as Tony Visconti
Property
Sun Star
Stars Analysis
Tai Yang (Sun) in Decline (Xian) alone in the Tian Zhai Palace. The Sun governs brightness and expansion; when in decline, it signifies the absence of the father figure in the home or estranged family relationships. David Bowie's father passed away from heart disease when he was young, and he was raised by his mother—this lack of paternal love corresponds to Tai Yang in Decline. The Tian Zhai Palace also governs real estate; Tai Yang in Decline suggests that although he owned multiple properties, he lacked a traditional family foundation—he once expressed feeling 'homeless' and moved frequently.
Four Transformations
No Four Transformations. The Tian Zhai Palace has no auspicious transformations, but Tai Yang in Decline is indirectly supported by stars like Zuo Fu (Left Assistant) and You Bi (Right Helper). David Bowie's property purchases were more for investment than emotional attachment; he had residences in Switzerland, New York, and London but never really 'settled down.' Tai Yang in Decline also made his family life often exposed to the media spotlight, lacking privacy.
Life Area Guidance
David Bowie's childhood home was an apartment in South London, and the family circumstances were modest after his father's early death. The first property he bought after fame was Haddon Hall in London (as a marital home with Angie), but he later sold it. Tai Yang in Decline made him detached from property; he even lived in hotels and on a yacht for a year at one point. However, he also profited from real estate investments, such as a villa in New York that appreciated in value. In his later years, he settled in a SoHo apartment in New York, but after his death, he did not leave much real estate to his family (leaning towards financial assets).
Key Aspects
Tai Yang in Decline signifies weak paternal connection and family estrangementTian Zhai Palace without auspicious transformations; many properties but no sense of belongingSkilled in property investment but not emotionally attached
Well-being
Wealth StarVanguard Star
Stars Analysis
Wu Qu (Solitary Star) in Ping, Po Jun (Transforming Star) in Ping, with You Bi (Auxiliary Star) and Tian Kui (Heavenly Leader) in the same palace. Wu Qu is a solitary star, Po Jun is a star of change; the Fu De Palace governs the spiritual world, psychological tendencies, and blessings. The Wu-Po combination generally signifies inner conflict and a desire for reform—David Bowie's creations often involved themes of alienation, identity anxiety, and apocalyptic sentiments (e.g., Diamond Dogs, Scary Monsters). You Bi and Tian Kui, as auspicious stars, symbolize his inherent willingness to help others and the presence of mentors/support in his inner world.
Four Transformations
No Four Transformations (Si Hua), but the tension of Wu-Po is harmonized by auspicious stars. David Bowie struggled with depression and substance abuse for a long time, but Wu Qu in Ping and Po Jun in Ping also endowed him with the ability to find release through destructive creativity. The presence of Tian Kui and You Bi provided him with spiritual support at critical times (such as his stable relationship with Iman later in life). In his later years, his mindset became peaceful, and the conflict of Wu-Po transformed into a pure love for art.
Life Area Guidance
In the 1970s, David Bowie abused alcohol and drugs, and even hallucinated that his soul had been possessed by demons (the restlessness of Wu-Po). In the late 1980s, he hit a creative block and even considered retirement. However, You Bi and Tian Kui indicate that during psychological crises, someone would always extend a helping hand—such as the companionship of his close friend Ola Hudson (fashion designer). After 1992, he overcame his vices and focused on family and creativity. Po Jun's transformative nature was reflected in his later song Lazarus, confronting death directly—this is the fulfilling resolution of the Wu-Po combination.
Key Aspects
Wu Qu and Po Jun signify inner conflict and reformYou Bi and Tian Kui bring spiritual assistanceIn later years, mindset shifts to peace and acceptance
Parents
Harmony Star
Stars Analysis
Tian Tong (Heavenly Harmony) transforming to Lu (Gain) resides in the Parents Palace in a balanced state. Tian Tong is a star of happiness, and its transformation to Lu increases blessings, but being in a balanced state somewhat reduces its strength. The Parents Palace represents parental affinity and inheritance. David Bowie's father, John Jones, was a charity worker who supported his pursuit of music; his mother, Mary, was a cinema usherette with artistic talent but emotional instability. Tian Tong transforming to Lu indicates that his parents brought him artistic perception and career inspiration (his father took him to see '2001: A Space Odyssey' before his death when Bowie was 14, sparking his sci-fi inspiration), and also provided a certain material foundation.
Four Transformations
Tian Tong transforming to Lu falls in the Parents Palace. The transformation to Lu governs blessings, corresponding to the positive influence of parents. David Bowie's stage name originated from an Elvis record his father bought him, while his mother introduced him to dance and mime. The joyful nature of Tian Tong manifested in his family as, although his father died early, the legacy (intellectual inspiration) had a profound impact. His mother became his emotional support after his father's death, allowing him to drop out of school to pursue music.
Life Area Guidance
David Bowie's father took him to hear American rock music when he was 6 and encouraged him to learn an instrument. His mother allowed him to drop out of school at 14 and funded the purchase of his first saxophone. His father died of a heart attack when Bowie was only 15, but the residual blessings of Tian Tong transforming to Lu are reflected in his later works that commemorate his father (such as the song 'Kooks'). His mother remained a pillar of his career until her death in 1997. Overall, the configuration of the Parents Palace explains why he was able to resolutely choose the path of music early on and receive family support.
Key Aspects
Tian Tong transforming to Lu signifies parental blessings and enlightenmentFather died early but left a cultural legacyMother's support was crucial in early stages
Destiny
Stars Analysis
The Destiny Palace is empty, borrowing the strength of the opposite palace's Tian Ji (Intellect Star) transforming to Authority and Tai Yin (Moon) flourishing. The Destiny Palace has no main star and must rely on the opposite palace's Tian Ji and Tai Yin. Tian Ji transforming to Authority endows wit and adaptability, while Tai Yin flourishing brings artistic sensitivity and refinement. The auxiliary star Tian Yue is a noble star, suggesting that the native often receives guidance from female or high-ranking benefactors throughout life. The Body Palace is in the Wealth Palace with Tian Xiang (Minister) accompanied by Lu Cun (Wealth Star) and Mars, forming a 'Wealth Sheltering the Seal' pattern, underscoring the importance of material foundation and stable income for self-realization. This combination is common among artists who make a living through creativity and communication yet can retain wealth — David Bowie dared to subvert musical forms while ensuring financial security through copyrights and business operations.
Four Transformations
Tian Ji transforming to Authority falls in the Friends Palace, Tian Tong (Heavenly Harmony) transforming to Lu (Gain) falls in the Parents Palace, Wen Chang (Literary Star) transforming to Ke (Reputation) falls in the Children Palace, and Lian Zhen (Integrity) transforming to Ji (Obstacles) falls in the Spouse Palace. Tian Ji transforming to Authority in the Friends Palace means the native gains authority through the adaptability of partners or subordinates — David Bowie long collaborated with top producers (such as Tony Visconti), and the efficient execution of his team fulfilled his musical ambitions. Tian Tong transforming to Lu in the Parents Palace represents blessings and resources from family or artistic heritage — though his father died early, he encouraged Bowie to pursue art, and his mother's influence is reflected in his emotional expression. Wen Chang transforming to Ke in the Children Palace indicates that children or creative works bring recognition from academic or niche circles — his son Duncan Jones became a director, and his works received acclaim. Lian Zhen transforming to Ji in the Spouse Palace foretells setbacks and self-sacrifice in romantic relationships — both of his marriages experienced ups and downs due to his career dedication and personality differences.
Life Area Guidance
The pattern of an empty Destiny Palace meant that David Bowie's life direction relied heavily on external circumstances and responses from others. His early name change (from David Jones to David Bowie) and continual reinvention of his image (Ziggy Stardust, the Thin White Duke, etc.) reflect the identity fluidity brought by Tian Ji transforming to Authority. His Body Palace in the Wealth Palace with Tian Xiang enabled him to become a rare superstar who was both avant-garde and commercially successful — his musical experiments were often accompanied by precise market positioning (such as the pop turn of the album 'Let's Dance'). The influence of the Tian Yue noble star appeared many times in his career: assistance from early manager Ken Pitt, and deep collaborations with artist friends like Brian Eno later. Overall, by flexibly responding to opportunities and collaborating with others, the native transformed the 'non-fixation to a single trait' of the empty palace into versatile creativity.
Key Aspects
Empty Destiny Palace borrowing Tian Ji and Tai Yin, signifying change and artistic sensitivityBody Palace with Tian Xiang and Lu Cun, stable finances supporting creativityTian Yue noble star brings key patronageTian Ji transforming to Authority achieving authority through teamwork
Sun Star
Property
Xu
Treasury Star
Career
Hai
Strategist Star QuanMoon Star
Network
Zi
Emperor Star Desire Star
Travel
Chou
Wealth Star Vanguard Star
Well-being
You
Fire Sixth Bureau
Wu Xing Ju (Elemental Configuration)
Soul Master: Artistry Star · Body Master: Literary Star
Orator Star
Health
Yin
Harmony Star Lu
Parents
Shen
Minister Star
Wealth
Mao
Body
Destiny
Wei
Siblings
Wu
Integrity Star JiWarrior Star
Partnership
Si
Elder Star
Children
Chen
Travel
Emperor StarDesire Star
Stars Analysis
Flourishing Zi Wei, Advantageous Tan Lang, with Zuo Fu and Di Jie in the same palace. Zi Wei, the Emperor Star, represents supreme authority; Tan Lang governs artistry, social skills, and sensual desires; Zuo Fu is the assistant; Di Jie signifies setbacks or disruptive events. The Travel & External Influence Palace (Qian Yi Gong) relates to external fortunes and opportunities abroad. David Bowie was an international superstar whose tours spanned the globe. The Zi Wei–Tan Lang combination (Zi-Tan) usually indicates charisma and artistic talent, but in the Travel Palace, it more strongly emphasizes career development through travel and cross-cultural contact—his 1976 move to Berlin, integrating German experimental music, altered his musical trajectory.
Four Transformations
No specific Four Transformations (Si Hua) directly activate this palace, but the flourishing Zi Wei's commanding force synergizes with Tan Lang's expansive energy. Each relocation or tour brought stylistic reinvention: in 1974, during his stay in the U.S., he was inspired to create Young Americans (white soul); the 1977 Berlin period gave birth to Low and Heroes; after moving to Switzerland in the 1990s, his work became more international. Di Jie corresponds to travel-related misfortunes, such as the stage prop accident during the 1987 Glass Spider Tour, or the decline in popularity that led to the end of large-scale tours in 1990.
Life Area Guidance
Early on, David Bowie attempted to promote his music in the U.S. without success; only after 1969's Space Oddity did he gain international attention. The trait of the Zi Wei–Tan Lang combination achieving fame in foreign lands is evident: his first U.S. trip in 1967 failed, but after his breakthrough with the Ziggy Stardust persona in the UK in 1972, Zi Wei's dominance began to expand globally. He settled in New York in his later years but never stayed in one place for long—Tan Lang's restlessness kept him fresh. Zuo Fu manifested in his frequent collaborations with local artists (e.g., with Eno during the Berlin era).
Key Aspects
Zi Wei–Tan Lang governs artistic flair and international influenceDi Jie brings unexpected travel disruptions and setbacksMoving to Berlin was a pivotal career turn
Health
Orator Star
Stars Analysis
Trapped Ju Men and Prosperous Tuo Luo in the same palace. Ju Men governs speech, hidden ailments, and the digestive system; Tuo Luo indicates chronic illness and delays. David Bowie's health issues were prominent: in the 1970s, cocaine addiction severely damaged his body and mind; he suffered a heart attack in 2004; and he died from liver cancer in 2016. The trapped Ju Men corresponds to his liver problems (the liver opens to the eyes; Ju Men is also associated with the liver), while the prosperous Tuo Luo shows his prolonged coexistence with illness—he concealed his cancer diagnosis for 18 months.
Four Transformations
No direct Four Transformations trigger, but the stagnation energy of prosperous Tuo Luo combines with the communicative power of trapped Ju Men. David Bowie's health crises often synchronized with his artistic cycles—the 1976 Berlin period was a turning point for his detox (revealing the hidden ailment of trapped Ju Men); in 2013, heart issues led him to reduce public appearances; and his final album Blackstar (2016) is seen as an artistic premonition of his death, released just days before he passed. Tuo Luo's chronic nature enabled him to work persistently even during illness.
Life Area Guidance
In the mid-1970s, David Bowie nearly died from cocaine addiction; he later moved to Berlin to detox, a period that produced his Berlin Trilogy. After the 1990s, his health was stable for a time, but in 2004 he suffered a myocardial infarction at a festival, after which he reduced touring. Diagnosed with liver cancer in 2014, he secretly underwent treatment and continued recording Blackstar, revealing his condition only three days before his death. The hidden nature of trapped Ju Men and the prolonged aspect of Tuo Luo perfectly explain this secrecy and perseverance.
Key Aspects
Trapped Ju Men governs liver disease and hidden ailmentsProsperous Tuo Luo indicates chronic, lingering conditionsHealth crises mirror artistic creation
Wealth
Minister Star
Stars Analysis
Tian Xiang (Seal Star) in its favorable position, together with Lu Cun (Asset Star) and Huo Xing (Fire Star) also in favorable position, occupies the Body Palace. Tian Xiang represents authority, stability, bureaucratic seals, and cooperation; Lu Cun represents a treasury of assets, savings, and steady income; Huo Xing in its favorable state adds tendencies for impulse spending and quick profit opportunities. With the Body Palace here, it emphasizes that wealth is central to David Bowie's self-identity—he was not only a musician but also a shrewd businessman. He founded his own record label (Bewlay Bros.) and, by investing early in music publishing rights, amassed significant wealth in his later years. Huo Xing in its favorable state corresponds to his occasional high-risk ventures, such as investments in art collections and real estate in the 1970s, some successful and some not.
Four Transformations
Although Huo Xing is not part of the Four Transformations, Lu Cun naturally carries the quality of 'wealth accumulation'. Lu Cun provides a steady source of income, while Huo Xing stimulates rapid decision-making. In 1997, David Bowie issued "Bowie Bonds," securitizing his future royalties from albums over 25 years and raising $55 million upfront—this reflects Huo Xing's impulsiveness and also the result of Tian Xiang's ability to collaborate with financial institutions. This financial innovation was later emulated by many musicians, but Huo Xing's favorable state also brought some debt pressure.
Life Area Guidance
David Bowie's wealth accumulation can be divided into three phases: in the 1970s, relying on tours and record sales (Tian Xiang and Huo Xing both in favorable states); in the 1980s, reaching a peak with mainstream success like "Let's Dance"; and after the 1990s, growing assets through copyright management and investments. He purchased many properties (such as apartments in Switzerland and New York), but Huo Xing's favorable state also led him to move to Switzerland in the early 1980s due to tax issues. The combination of Tian Xiang in favorable position and Lu Cun meant that even during career lows (late 1980s), he never fell into financial crisis and always had reserves.
Key Aspects
Tian Xiang and Lu Cun indicate stable financial sources and wealth through cooperationHuo Xing in favorable state brings financial innovation and high riskThe Body Palace here emphasizes that self-worth is tied to wealth
Children
Elder Star
Stars Analysis
Tian Liang (Shelter Star) in its temple position, together with Wen Chang (Literary Star) Hua Ke in fall, and Qing Yang (Blade Star) in fall, share the same palace. Tian Liang represents shelter and blessings, indicating protection from elders or integrity in children; however, Wen Chang Hua Ke in fall and Qing Yang in fall bring academic or creative pressure and competition. David Bowie had only one son, Duncan Jones (from his marriage to Angie). Tian Liang in its temple position protects the child's health and achievements; Wen Chang Hua Ke signifies the child's accomplishments in academics or the arts—Duncan is a film director (known for "Moon" and "Source Code"). Qing Yang in fall hints at regrets of father-son separation during Duncan's growth (after the divorce, Duncan mainly lived with his mother abroad).
Four Transformations
Wen Chang Hua Ke falls into the Children Palace. Hua Ke governs fame and literary talent, corresponding to Duncan Jones's recognition and awards in the film industry. David Bowie publicly expressed pride in his son's achievements and, during his lifetime, mentioned wanting him to stay independent. Wen Chang Hua Ke in fall indicates that fame comes late or with controversy—Duncan's early works went unrecognized until he gained prominence with "Moon."
Life Area Guidance
During Duncan's childhood, David Bowie was rarely home due to touring and recording; in the late 1970s, he briefly stepped back from music to spend time with family, but with limited effect. In later interviews, Duncan recalled his father with mentions of both inspiration and the cost of his absence. The protection of Tian Liang in temple is reflected in the fact that David Bowie left a significant inheritance to his son and wife before his death, ensuring their financial security. Meanwhile, Qing Yang in fall corresponds to a period of estrangement between father and son—in the 1990s, Duncan once refused his father's financial support, striving to make it on his own.
Key Aspects
Tian Liang in temple indicates children of integrity with achievementsWen Chang Hua Ke validates the son's path as a directorQing Yang in fall suggests separation during upbringing and the struggle for independence
Siblings
Stars Analysis
Wen Qu (Literary Star) falls in the same palace with Tian Ma (Mobility Star), and the Siblings Palace has no main stars, borrowing the opposite palace's Zi Wei (Emperor) and Tan Lang (Desire Star). Wen Qu represents talent and skills, while Tian Ma governs movement and travel. The Siblings Palace borrows the strong desire and social ability of Zi Wei and Tan Lang from the opposite palace. This combination suggests that the native's relationship with siblings is distant but with some creative resonance — David Bowie had a half-brother, Terry, who was hospitalized long-term due to mental illness; they were close in early years but grew apart later. The imagery of Wen Qu and Tian Ma also implies indirect connections with siblings through travel or media exposure (as Terry had an early influence on his musical taste).
Four Transformations
No Four Transformations directly activate this palace, but the borrowed palace does not bring its own transformations. The Siblings Palace itself has no Four Transformations, but the dynamic energy of Wen Qu and Tian Ma is propelled by the Travel Palace's Zi Wei and Tan Lang, supported by Lu Cun (Wealth Star) and Zuo Fu (Left Assistant). This means the native finds closer brotherhood in social circles or during travels than in blood ties — his relationships with musical partners (like Mick Ronson) were more like siblings, collaborating on tours and creations, achieving the interaction of the Zi Wei Emperor and Tan Lang social stars through a 'mobile team.'
Life Area Guidance
David Bowie's biological brother Terry was 11 years older and introduced him to rock music and The Beatles in his youth, but Terry was diagnosed with schizophrenia in the 1960s, and their relationship gradually became estranged. Wen Qu and Tian Ma in the Siblings Palace correspond to replacing blood ties through music and connection with the outside world — the members of his bands (like The Spiders from Mars) had deep emotional bonds but eventually parted ways due to career developments, reflecting Tian Ma's theme of separation.
Key Aspects
Wen Qu and Tian Ma govern talent and fluid sibling relationshipsThe borrowed Zi Wei and Tan Lang reinforce social ambitionWeak blood ties but deep camaraderie with musical partners
Partnership
Integrity StarWarrior Star
Stars Analysis
Lian Zhen (Integrity Star) Hua Ji, with Qi Sha (Indirect Officer) in temple, along with Di Kong (Earth Void) and Ling Xing (Ring Star) guarding the palace. Lian Zhen and Qi Sha form a variation of the "Sha Po Lang" (Qi Sha (Indirect Officer), Po Jun, Desire Star) structure; Lian Zhen Hua Ji intensifies sensitivity, suspicion, and tendencies of self-sacrifice in emotions; Di Kong and Ling Xing bring sudden events or a sense of distance. Qi Sha in temple strengthens decisiveness and action, but also easily turns relationships into a "battlefield"—David Bowie's first marriage (to Angie Bowie) was full of passion and control, both strong-willed and seeking freedom, which ultimately ended in divorce. His second marriage (to Iman) was relatively stable, but the shadow of Hua Ji still manifests through the balance of career and family.
Four Transformations
Lian Zhen Hua Ji falls into the Spouse Palace. Hua Ji governs emotional entanglements, sacrifices, and disappointments. David Bowie often neglected family due to work; his marriage to Angie broke down because of his affairs and prioritizing music; although his marriage to Iman lasted until the end, he admitted that his obsession with music sometimes made her feel lonely. Hua Ji also corresponds to his songs themed on emotions (such as the fragile relationships implied in "Heroes").
Life Area Guidance
David Bowie married Angie in 1970; she was his manager and creative partner at the time, but they separated in the mid-to-late 1970s due to mutual infidelity and career differences. After the divorce in 1980, he temporarily lost faith in marriage. After marrying supermodel Iman in 1992, the relationship was healthier, but Ling Xing still brought brief separations—during his hospitalization for heart issues in the 2000s, Iman stayed by his side, again illustrating the Qi Sha characteristic of "true feelings in adversity." Di Kong in the Spouse Palace also symbolizes how some of his emotional relationships were overly exposed by the media, such as his brief affair with singer Donna Summer. Overall, this palace explains why his marriages had dramatic separations and reunions yet eventually found balance.
Key Aspects
Lian Zhen, Qi Sha, and Hua Ji govern passion and sacrificeDi Kong and Ling Xing bring external interference and sudden twistsThe contrast of the two marriages reflects the dual nature of Qi Sha in temple